![]() You will get full access to divisare archive and you will help us keep the lights on.ĭivisare subscription is free for teachers & students No Ads. Yes, that Peter Marino: the AD100 Hall of Fame architect and designer, he of the artfully inked epidermis, shiny Harley-Davidsons and Ducatis. Peter Marino, FAIA, is the principal of Peter Marino Architect. If you like what we’re doing, please Subscribe. Believe it not, Peter Marino is an unabashed romantic. Peter Marino Architect PLLC is an internationally acclaimed architecture, planning and design firm founded in 1978 based in New York City. No click - like - tweet - share, no advertising, banners, pop-ups. This is why Divisare is a place to perceive architecture slowly, without distractions. Instead of hastily perused information, we prefer knowledge calmly absorbed. ![]() Instead of a quick, distracted web, we want a slow, attentive one. Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. Posted on Peter Marino Architect Transforms Cheval Blanc Paris 2021 Best of Year winner for Hotel Transformation In the late 1920s, architect Henri Sauvage oversaw completion of a large art deco building for Pari. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. This fall, AD100 architect Peter Marino unveiled his decadent transformation of La Samaritaine, the 1928 Art Deco department store initially conceived by designer Henri Sauvage. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. ![]() ![]() Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2. ![]()
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